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《等待方舟》是一部深刻探討人性與道德的影片。它以第二次世界大戰(zhàn)為背景，講述了猶太人如何在納粹德國的恐怖統(tǒng)治下求生的故事。電影中的角色們展現(xiàn)了勇氣、犧牲和對未來的希望。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

耶日·斯圖爾飾演的角色在片中有一句臺詞：“我們必須相信，希望如同一盞燈，即使在最黑暗的時刻也能照亮我們的道路。”

克里斯提娜·楊達所扮演的角色則有這樣一句臺詞：“愛是唯一能讓我們超越恐懼的力量。”

卡里娜·謝魯斯克飾演的角色則道出了電影的核心：“只要我們不放棄希望，無論多么艱難，總會有出路。”

馬里烏什·德莫霍夫斯基飾演的角色在片中的臺詞是：“正義終將到來，但在此之前，我們必須堅守自己的立場。”

馬雷克·瓦爾切夫斯基所扮演的角色則堅定地說：“為了保護家人，我愿意付出一切。”

揚·諾維茨基在電影中的一句臺詞是：“在絕望中尋找一線生機，是我們生存下去的唯一方式。”

亨里克·比斯塔飾演的角色在關(guān)鍵時刻說出：“信念，是我們在逆境中堅持的支柱。”

萊昂·涅姆奇克所扮演的角色有這樣一句臺詞：“每個人的心中都有一座方舟，只要不放棄，就一定能找到它。”

克茲佐夫·馬扎克飾演的角色則深情地表示：“在這片黑暗中，每一份溫暖都是寶貴的。”

斯坦尼斯瓦夫·伊加爾在電影中的臺詞是：“希望是人類最強大的武器，它能指引我們穿越最艱難的時刻。”